great ave ruins

Opening the notebook…

Library Ann . Library Ann .

Violence and Aurora Borealis

The Great Alone made me want to understand our appetite for stories about women who endure. What happens when trauma is wrapped in descriptions of northern lights and midnight sun? When violence and beauty occupy the same paragraph, the same breath? Why do millions reach for these narratives of female suffering?

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Lenses Ann . Lenses Ann .

Parenthood Diaries: On Becoming

My son spent six years learning what Adrienne Rich called "the geography of fear"—bullied, developing an atlas of avoidance. Then something unexpected: he began reaching toward leadership roles with persistence that baffled me, practicing courage against all his training.

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Travel Ann . Travel Ann .

Threshold: The MRT and the Art of In-Between

I want to say something profound about thresholds, about how we're suspended between departure and arrival. But what I'm actually thinking about is whether I positioned myself at the right door. This is the gap between how we think we experience the world and how we actually do.

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Library Ann . Library Ann .

The Midnight Library

What would it look like to actually honour the premise? An infinite library could be genuine contemplative space allowing Nora to dwell in possibility without pressure to choose correctly. But that would require Haig to value contemplation over consolation, inquiry over instruction, dwelling over destination.

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Lenses Ann . Lenses Ann .

Triage and the Burning House

Florence Nightingale was burning. On my Day 1 that became triage. We are told to put on our oxygen masks first. But what happens when you're the only one who knows where the masks are?

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Ann . Ann .

On Decreation

On the morning of June 18, 1815, Napoleon Bonaparte did something out of character. He waited. His marshals were anxious. The man who had turned speed into a military philosophy was watching the morning burn off. Simone Weil would have recognised this immediately as a failure of attention. And attention, for Weil, was everything.

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Ann . Ann .

Perth: The Architecture of Second Acts

We'd mapped our itinerary carefully, but weather narrowed our radius to what stood beside our accommodation. How often do we pause to consider our last days somewhere? A peculiar telescoping of perception, a painful receptivity to detail that transforms the ordinary into the archaeological.

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Lenses Ann . Lenses Ann .

What Fiction Does When We're Not Looking

Fiction's capacity to expand moral imagination is also its capacity to colonize it. Every time you inhabit a character, you bring your own architecture of feeling to their experience. You can only understand them through your available emotions. This is why diverse literature matters.

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Lenses Ann . Lenses Ann .

On the Fear of Sharing What I Cook

When did amateur become an insult? From the Latin amator: lover. Someone who does something for love of it. The professionalisation of food culture has given us access to knowledge, but it's also made us feel like impostors in our own kitchens.

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Lenses Ann . Lenses Ann .

I Have Not Begun

The nervous system, ancient and efficient and not remotely interested in your analysis of it, cannot tell the difference between a pigeon and a person. It only knows that something came before. Something might come again.

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Travel Ann . Travel Ann .

Melaka: Tanghulu at Forty

My son will grow up in a world where culture is platform-native. Where he can learn thosai from YouTube, tanghulu from TikTok, pasta from Italian grandmothers who've monetised their nostalgia. Where "traditional" means whatever the algorithm surfaces.

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Lenses Ann . Lenses Ann .

The Designated Devil: Why Some Families Need One

The designated devil's crime was not cruelty or failure or rebellion. It was witnessing. She was in the room. She remembers what was said. She noticed the distance between the family's narrative and the family's actions, and she made the error of not forgetting. She holds the archive the family needs destroyed.

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Ann . Ann .

The Absolution of the Calendar: A Study in Behavioural Narrative

A commissioned piece exploring the psychological weight of January. While most content around the New Year focuses on achievement and transformation, this essay argues that January’s true power lies in forgiveness. By leveraging the "Fresh Start Effect," we use temporal landmarks to distance ourselves from past failures.

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Lenses Ann . Lenses Ann .

Palimpsests of the Self

An exploration of how disbelief scrapes away not just testimony, but the very legibility of a life; and what it takes to read the faint marks that remain.

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